Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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James Wilson Morrice
The Left Branch of the Seine before the Place Dauphine

ID: 11851

James Wilson Morrice The Left Branch of the Seine before the Place Dauphine
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James Wilson Morrice The Left Branch of the Seine before the Place Dauphine


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James Wilson Morrice

(August 10, 1865 Montreal - January 23, 1924 Tunis) was a significant Canadian landscape painter. He studied at the Academie Julian in Paris, France, where he lived for most of his career. Morrice was the son of a wealthy merchant, and studied law in Toronto from 1882 to 1889. In 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Academie Julian from 1892-7. At Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, although he spent most of his winters in Canada. He made many connections in the intellectual circles of Paris, while also remaining in touch with the Canadian art world:   Related Paintings of James Wilson Morrice :. | la bataille de chacabuco | Madonna and Child between St Francis and St Bernardine of Siena dfg | Three singers | Elves and Fairies: A Midsummer Night's Dream | An Angel Awakens the Prophet Elijah |
Related Artists:
LEICHER, Felix Ivo
Austrian painter b. 1727, Wagstadt, d. 1812, Wien
Kristian Zahrtmann
(31 March 1843 - 22 June 1917) was a Danish painter. He was a part of the Danish artistic generation in the late 19th century, along with Peder Severin Krøyer and Theodor Esbern Philipsen, who broke away from both the strictures of traditional Academicism and the heritage of the Golden Age of Danish Painting, in favor of naturalism and realism. He was known especially for his history paintings, and especially those depicting strong, tragic, legendary women in Danish history. He also produced works of many other genres including landscapes, street scenes, folk scenes and portraits. He had a far-reaching effect on the development of Danish art through his effective support of individual style among his students during the many years he taught, and by his pioneering use of color.
Franqois Balthazar Solvyns
1760-1824






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